![studio one instruments vol 2.soundset studio one instruments vol 2.soundset](https://s3.amazonaws.com/mypresonus/profile/1485173191_486891.jpg)
There are many times when an issue can relate to an operating system. No need you think it's about your system. Some of the samples clearly need improvement. The two mentioned notes in this thread is totally clicking at a point after the first attack.Īlso F2 and especially E2 are very noisy in the sustain phase.Ī long time ago i have reported clicking issues on release on some samples. How should this issue have to do with the OS? It's some notes only, and apparantly even the same notes. What operating systems are you all on that are hearing clicks?
![studio one instruments vol 2.soundset studio one instruments vol 2.soundset](https://www.pluginboutique.com/ckeditor_assets/pictures/25279/content_PresonusBundle-PluginBoutique_(2).png)
We’ll explore that more thoroughly in a later tutorial.LBH wrote Bbd wroteSo I don't hear clicks on my Win 10 64 system.
Studio one instruments vol 2.soundset Patch#
This is deep patch programming that will take time and effort, but if we want to make our own instruments for personal use or even sample libraries to distribute to other Presence XT users, the Presence Editor will give us loads of options and flexibility. and add them to the patch, then use key switches to switch between the different performance styles. We could also add samples of certain effects like string slides, mutes, etc. Then, in Presence Editor, we could script controls that would allow us to fade between close and room mics with the turn of a dial. We could, for example, record samples of an acoustic guitar with close mics and with room mics. The Editor unlocks a whole lot more power in Presence XT, and serious sound designers can create their own libraries with key switching and scripting to allow a whole new set of performance rules to take over. Call my editorĪlthough the Presence XT Editor is a paid add-on, sound designers who’re not afraid to get under the bonnet and take a look around will find it well worth the minimal expenditure to upgrade. This section alone makes Presence XT a powerful tool. We could even use aftertouch to modulate LFO 1, and LFO 1 could in turn modulate LFO 2 and so on. We could use velocity to modulate filter cutoff, an LFO to modulate filter resonance, and Env 1 to modulate pitch or any number of other combinations.
Studio one instruments vol 2.soundset mod#
Each Mod button provides 8 modulation slots for routing mod signals all over Presence. The really cool stuff comes into play in the Modulation Matrix (Mod A, Mod B). The FXB button leads to other effects like the Gater – for rhythmic effects, a distortion, an EQ and panning. There’s even a Reverb button in the Delay section that will route the delay output to the Reverb. The FX on offer are very good, with Modulation (Chorus, Flanger and Phaser), Delay (with high and low filtering, delay types, rhythmic delay time, feedback amount and a mix knob) and Reverb in FXA to sweeten the patches. This is where Presence starts getting deep. Moving down the page, we find the FX and Modulation section. There are, of course, many other parameters that could be assigned to enhance performance. For example, in the Acoustic Piano patch, the script controls modify the Sustain Resonance Level, Sustain Pedal Noise, Release Noise Level and the Velocity Curve. These are also shown in the information display. Some patches even have controls tied to scripts that will perform certain extra functions. In the middle below the Filter section is an information display that shows plenty of information about the patch… including what key switches are available within the patch, the number of voices it uses and the size of the patch in MB. The Presence XT interface is logically laid out with Oscillators, Filters and Envelopes across the top. Let’s start by looking at Presence XT as it comes. But what if you want to use that vintage Farfisa that you have sitting in the corner in your compositions without having to tune it every five seconds? Or your Melodica? Or your washtub bass? Well, there’s a way, which we’ll get into a little bit later. So, if you’re not sampling savvy or just don’t have the time or interest in creating your own libraries, then Presence XT is a great way to dive into composing with excellent sounding instruments at your fingertips. Get to the Presonus Shop by way of the Presonus website or the files panel in Studio One 4.6 to see what’s out there. Additionally, there is a growing number of third-party companies out there making sample libraries for use in Presence XT. There are also enough ensemble instruments on offer to get a budding composer started scoring their first film. They cover all the bases that a composer would need to make quality band-style songs. We won’t dive too deeply into the libraries themselves, but just know that Presence XT – at its core – is a sample player, and these libraries are quite good.